Digital experiments

My illustration for the February 2014 Celebration cover is meant to convey the many layers of meaning in the scriptures available to homilists.

Though this illustration is unabashedly digital, I started by sketching by hand. Then I cut the basic shapes out of plastic with a knife, also by hand. At that point I scanned them to my computer, added color and manipulated them in Photoshop.

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A New World: Contemporary Art Exploring Dorothy Day's Vision of Social Justice

Last fall I was invited to contribute a piece to this show which opens December 16 at the Sheen Center in New York City. Though I have created a few portraits of Dorothy Day (see my recent posts for two of them), I chose to send this scratchboard drawing instead. The exhibit juxtaposes excerpts from Dorothy's writings with art addressing the ideals she devoted her life to such as social justice, voluntary poverty, resistance to racial prejudice, and nonviolence. The artists represented in the show include those, like myself, whose artwork has appeared in The Catholic Worker newspaper as well artists who have been homeless and imprisoned. My image of a woman kneading dough was originally created to illustrate Christ's parable of the leaven, certainly apropos considering the strength and persistence of the legacy inspired by Dorothy's life. I also see in this image the voluntary simplicity of Dorothy, her respect for domestic work, and her service to others. The woman'...

Dorothy Day

Today I completed this portrait of Dorothy Day, drawing it with a Wacom tablet in Photoshop. It's very unusual for me to create something completely digital from start to finish. In general I prefer to work manually, but using the computer seemed the best way to deal with the complexity of this illustration. (Image copyright 2009 by Julie Lonneman)

Pope Francis

Another recent work for the cover of Celebration .

Julie Lonneman Studio

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