Last fall I was invited to contribute a piece to this show which opens December 16 at the Sheen Center in New York City. Though I have created a few portraits of Dorothy Day (see my recent posts for two of them), I chose to send this scratchboard drawing instead. The exhibit juxtaposes excerpts from Dorothy's writings with art addressing the ideals she devoted her life to such as social justice, voluntary poverty, resistance to racial prejudice, and nonviolence. The artists represented in the show include those, like myself, whose artwork has appeared in The Catholic Worker newspaper as well artists who have been homeless and imprisoned. My image of a woman kneading dough was originally created to illustrate Christ's parable of the leaven, certainly apropos considering the strength and persistence of the legacy inspired by Dorothy's life. I also see in this image the voluntary simplicity of Dorothy, her respect for domestic work, and her service to others. The woman's …
I was asked to provide the seasonal panels for this icon which is the focal point of the Chapel of Christ the Healer at the new Mercy Health headquarters. I enjoyed the challenge of attempting something new (painting large) and the opportunity to collaborate with Schickel Design, who created this beautiful sacred space for the folks at Mercy. Martha Schickel Dorff designed the framework for this icon and carved the corpus.
Christmas season is shown above. There are five other sets of panels.
My illustration for the February 2014 Celebration cover is meant to convey the many layers of meaning in the scriptures available to homilists.
Though this illustration is unabashedly digital, I started by sketching by hand. Then I cut the basic shapes out of plastic with a knife, also by hand. At that point I scanned them to my computer, added color and manipulated them in Photoshop.